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In music, Op. 1 stands for Opus number 1. Compositions that are assigned this number include: Bach – Partitas for keyboard; Bartók – Rhapsody; Beethoven – Piano Trios, Op. 1; Berg – Piano Sonata; Brahms – Piano Sonata No. 1; Chopin – Rondo in C minor; Clara Schumann – 4 Polonaises; Clifford – Symphony in E-flat
Allegro (E-flat major), 4 4; Adagio cantabile (A-flat major), 34; Scherzo. Allegro assai (E-flat major, with trio in A-flat major), 3 4; Finale. Presto (E-flat major), 2 4; The first movement opens with an ascending arpeggiated figure (a so-called Mannheim Rocket, like that opening the first movement of the composer's own Piano Sonata no 1, Opus 2 no 1), [3]
Bartók assigned opus numbers to his works three times. He ended this practice with the Violin Sonata No. 1, Op. 21 in 1921, because of the difficulty of distinguishing between original works and ethnographic arrangements, and between major and minor works. Since his death, three attempts—two full and one partial—have been made at cataloguing.
To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed Moonlight Sonata) is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" (Piano Sonata No. 13 in E-flat ...
Op. 12, 4 Sonatas For Piano (1 to 4: B♭, E♭, F, E♭) and 1 Duet For Two Pianos (5: B♭). Dedicated to Miss Glover. Dedicated to Miss Glover. Published in 1784; Note: The 3rd movement of No. 1: Variations on 'Je suis Lindor', Antoine-Laurent Baudron's setting of the romanze from Beaumarchais' Barbier de Séville.
Piano Sonata Op.1: Scores at the International Music Score Library Project; recording by Jonathan Biss from the Isabella Stewart Gardner Museum in MP3 format; Recording by Harvard Fellow Seda Röder; Recording by Dr. Willis G. Miller, III; Recording of the Theo Verbey orchestration by Riccardo Chailly and the Royal Concertgebouw Orchestra
The Rondo in C minor, Op. 1, for solo piano is Chopin's first published work, published in 1825, [1] and dedicated to "Madame de Linde", the wife of the headmaster of the Lyceum at which Chopin was studying. [2] The piece contains an "unorthodox (but entirely logical) tonal scheme". [1]
For Piano, No. 1, in C major; Op. 3, 3 sets of Variations for piano (London, 1794) 1. A Rondo of Pleyel in C major; 2. The Lass of Richmond Hill in G major (Opus 2–1) 3. Wenn's Immer So War in G major; Op. 3a, Trio for Violin, Violoncello, and Piano, No. 1, in B♭ major (1792). Not described as a trio by the composer, and not included in ...