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Women Friends (1916-1917) is a painting by Austrian symbolist painter Gustav Klimt. Alternatively known as The Friends , or Girlfriends II ( Freundinnen II ), among others, the work was destroyed by fire in 1945 alongside several other of Klimt's paintings in the burning of Schloss Immendorf .
Gustav Klimt (14 July 1862 – 6 February 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art.
This article's tone or style may not reflect the encyclopedic tone used on Wikipedia. See Wikipedia's guide to writing better articles for suggestions. (November 2020) (Learn how and when to remove this message) This page is an illustrative list of Gustav Klimt's major paintings, and represents a chronological look at some of his main pictorial production. The list is ordered by year and ...
The Stoclet Frieze is a series of three mosaics created by the Austrian painter Gustav Klimt for a 1905–1911 commission for the Stoclet Palace in Brussels, Belgium. The panels depict swirling Tree of life , a standing female figure and an embracing couple.
Gustav Klimt: Year: 1901–1902 [1] Medium: Charcoal, graphite, black, red and coloured chalk, pastel, casein colours, gold, silver, gilt stucco, applications (mother-of-pearl buttons, brass uniform buttons, mirror fragments, ground glass, brass curtain rings, upholstering nails, semi-precious stones) on mortar render over reed matting [1] Location
The painting is a study for a series of three mosaics created by Klimt for a 1905-1911 commissioned work at the Stoclet Palace in Brussels, Belgium. The mosaics were created in the artist's Late Works period and depict swirling Trees of Life , a standing female figure, and an embracing couple.
In fact, Klimt was the group's guiding light. [6] Beyond his own circle, Klimt’s influence was felt by many members of the creative community such as composer Gustav Mahler, writers Arthur Schnitzler and Robert Musil, and architect Adolf Loos. [1] Many of Klimt's works are of a sensual nature, and several show a fixation on Greek mythology ...
In the 1901 version, Judith maintains a magnetic fascination and sensuality, subsequently abandoned by Klimt in his Judith II, where she acquires sharper traits and a fierce expression. In its formal qualities, the first version illustrates a heroine with the archetypal features of the bewitching and charming ladies described by symbolist ...