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In the 18th and early 19th centuries, the piano had evolved to have three strings to most notes. The soft pedal of this time was more effective than today, since it was possible to use it to strike three, two, or even just one string per note—this is the origin of the name una corda (Italian for 'one string'). In modern pianos, the strings ...
string piano, i.e. hitting or plucking the strings directly or any other direct manipulation of the strings; sound icon, i.e. placing a piano on its side and bowing the strings with horsehair and other materials; whistling, singing or talking into the piano (with depressed sustain pedal) silently depressing one or more keys, allowing the ...
Play ⓘ with sustain pedal on (bottom measures) Piano pedals from left to right: soft pedal, sostenuto pedal and sustain pedal Location of pedals under the keyboard of the grand piano. A sustain pedal or sustaining pedal (also called damper pedal, loud pedal, or open pedal [1]) is the most commonly used pedal in a modern piano. It is typically ...
One or "a" (indefinite article), as exemplified in the following entries un poco or un peu (Fr.) A little una corda One string (i.e., in piano music, depressing the soft pedal, which alters and reduces the volume of the sound). For most notes in modern pianos, this results in the hammer striking two strings rather than three.
Strings for low and mid-range tones, however, typically consist of a core that is wound with another, thinner piece of wire. This makes them naturally resistant to being bent, adding to the effect of string tension in returning a given part of the string toward its resting position; the result is a comparatively higher frequency of vibration of ...
One of his first important works to employ the approach is the solo Piece for Piano with Strings (1923). [2] Per the Lichtenwanger listings, Cowell's earliest piece calling for string piano techniques is The Sword of Oblivion (ca. 1920–22) for solo piano. Like A Composition (1925), for piano and string quartet, it combines traditional ...
A rubber two-hole Tourte mute on the bridge of a cello A cello with a Tourte mute (the circular black piece) in off position, and a wolf eliminator (the cylindrical metal piece) Mutes for string instruments of the violin family work by adding mass to the bridge, [58] or occasionally by dampening the strings behind the bridge. [3]
The end of the string that mounts to the instrument's tuning mechanism (the part of the instrument that turns to tighten or loosen string tension) is usually plain. . Depending on the instrument, the string's other, fixed end may have either a plain, loop, or ball end (a short brass cylinder) that attaches the string at the end opposite the tuning m