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Mandolin awareness in the United States blossomed in the 1880s, as the instrument became part of a fad that continued into the mid-1920s. [14] [15] According to Clarence L. Partee a publisher in the BMG movement (banjo, mandolin and guitar), the first mandolin made in the United States was made in 1883 or 1884 by Joseph Bohmann, who was an established maker of violins in Chicago. [16]
When the word "mandolin" is said in the 21st century, it usually refers to an instrument with 8 strings tuned in fifths, such as the Neapolitan mandolin or the American bluegrass mandolin. It is also commonly thought that mandolino is a diminutive of mandola, and that therefore the mandolino was a smaller development of the mandola. [31]
Other American-made variants include the mandolinetto or Howe-Orme guitar-shaped mandolin (manufactured by the Elias Howe Company between 1897 and roughly 1920), which featured a cylindrical bulge along the top from fingerboard end to tailpiece and the Vega mando-lute (more commonly called a cylinder-back mandolin manufactured by the Vega ...
A mandolin made in Topeka in 1912 by highly regarded inventor Albert Shutt is back in the capital city and is being restored.
A mandolin made in Topeka in 1912 by highly regarded inventor Albert Shutt is back in the capital city and is being restored. Skip to main content. 24/7 Help. For premium support please call: ...
See: Mandolins in North America and Bluegrass mandolin. See American mandolinists and American bluegrass mandolinists. The mandolin has had a place in North American culture since the 1880s, when a "mandolin craze" began. [109] [110] The continent was a land of immigrants, including Italian immigrants, some of whom brought their mandolins with ...
The F-5 is a mandolin made by Gibson beginning in 1922. Some of them are referred to as Fern because the headstock is inlaid with a fern pattern. The F-5 became the most popular and most imitated American mandolin, [1] and the best-known F-5 was owned by Bill Monroe, the father of bluegrass music, who in turn helped identify the F-5 as the ultimate bluegrass mandolin.
Samuel Siegel, from a 1918 tour with William Foden and Frederick J. Bacon. Samuel Siegel (born 1875, Des Moines, Iowa — died January 14, 1948, Los Angeles, California) was an American mandolin virtuoso and composer who played mandolin on 29 records for Victor Records, including 9 pieces of his own composition and two that he arranged.