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The harmonic minor scale (or Aeolian ♯ 7 scale) has the same notes as the natural minor scale except that the seventh degree is raised by one semitone, creating an augmented second between the sixth and seventh degrees.
A harmonic minor scale can be built by lowering the 3rd and 6th degrees of the parallel major scale by one semitone. Because of this construction, the 7th degree of the harmonic minor scale functions as a leading tone to the tonic because it is a semitone lower than the tonic, rather than a whole tone lower than the tonic as it is in natural ...
minor: harmonic — Harmonic Scale: Harmonic scale chromatic on C. Play ...
Scales that are called “harmonic” contain all seven types of seventh chords [citation needed] (like the harmonic major scale and the harmonic minor scale). e.g. for Dorian ♯4: 1st: Minor seventh chord
The seventh scale degree is very often raised a half step to form a leading tone, making the dominant chord (V) a major chord (i.e. V major instead of v minor) and the subtonic chord (vii), a diminished chord (vii o, instead of ♭ VII). This version of minor scale is called the harmonic minor scale.
Because diatonic scale is itself ambiguous, distinguishing intervals is also ambiguous. [p] For example, the interval B ♮ –E ♭ (a diminished fourth, occurring in C harmonic minor) is considered diatonic if the harmonic minor scale is considered diatonic, [23] but chromatic if the harmonic minor scale is not considered diatonic. [24]
The diatonic scale (seven notes)—this includes the major scale and the natural minor; The melodic and harmonic minor scales (seven notes) These scales are used in all of their transpositions. The music of this period introduces modulation, which involves systematic changes from one scale to another. Modulation occurs in relatively ...
The Phrygian dominant is also known as the Spanish gypsy scale, because it resembles the scales found in flamenco and also the Berber rhythms; [4] it is the fifth mode of the harmonic minor scale.