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A hybrid headphone amplifier with the chassis cover removed. Most headphone amplifiers support a higher voltage output and therefore higher power (volume) levels. Whereas most portable electronics are powered by a 1.8, 2.5 or 3.3 Vpp supply, many headphone amplifiers use 10, 18 or 24 Vpp supplies, allowing 5-20 dB higher volume. [1]
In digital and analog audio, headroom refers to the amount by which the signal-handling capabilities of an audio system can exceed a designated nominal level. [1] Headroom can be thought of as a safety zone allowing transient audio peaks to exceed the nominal level without damaging the system or the audio signal, e.g., via clipping. Standards ...
Fender Silverface Bassman amp AB165 amplifier, with a 2×15" speaker cabinet. The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. [citation needed] Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars.
Throughout the decade, Mesa continued to produce combo and head amplifiers, and began production of rack power and pre-amps, developing power amplifiers such as the M180/190 and Strategy series, as well as pre-amps such as the Quad and Studio. Other models developed in the 1980s included the Mark III, Mark IV, the Son of Boogie, and the Studio .22.
Audio stereo power amplifier made by McIntosh The internal view of a Mission Cyrus 1 Hi Fi integrated audio amplifier (1984) [1]. An audio power amplifier (or power amp) amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones.
At the age of 18, Dave Friedman moved from his native Detroit, Michigan, to Los Angeles, where he worked at a store renting high-end instruments to studio musicians. [1] [2] While there, a customer brought in a Soldano SLO 100 modified by Bruce Egnater of Egnater Amplification; an impressed Friedman contacted Egnater about creating a new preamp, which became popular with local studio musicians ...
Dumble, however, was not interested in selling amplifiers in greater numbers, but focused solely on getting the best possible sound. Building to order only (even building his own speaker cabinets by hand), his amps gained a positive reputation and became highly sought after by professional musicians. Dumble became known as a tube electronics ...
Since the 1950s the vast majority of high-quality valve amplifiers, and almost all higher-power valve amplifiers have been of the push–pull type. Push–pull output stages can use triodes for lowest Z out and best linearity, but often use tetrodes or pentodes which give greater gain and power. Many output valves such as KT88, EL34, and EL84 ...