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Bernard K. Passman (22 January 1916 – 10 February 2007) was a sculptor and jeweller, founder of a black coral jewellery company and brand, Passman (currently [when?] produced by Glyptica, Inc. under licence [1]). [2] Passman founded the eponymous Passman in 1975 on Grand Cayman.
The brand was created in 1975 by Bernard Passman, sculptor and jeweler, on Grand Cayman.Examples of the company's work include gold and black coral sculptures for the White House, a gold and black coral crucifix sculpture for the Pope, the Cayman Islands's gift of a 97-piece set of sterling silver and black coral tableware for Prince Charles and Lady Diana's wedding in 1981, a miniature set ...
Despite its name, a black coral is rarely black, and depending on the species can be white, red, green, yellow, or brown. The corals derive their name from their black skeletons, which are composed of protein and chitin. [3] Black corals are also known as thorn corals due to the microscopic spines lining their skeletons. [4]
Robert Scott Duncanson, Landscape with Rainbow c. 1859, Hudson River School, Smithsonian American Art Museum, Washington, DC.. This list of African-American visual artists is a list that includes dates of birth and death of historically recognized African-American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting ...
Greek artists created customized goods for the Etruscan market which differed in form and decor from their normal products. The Etruscans also developed their own black-figure ceramic industry oriented on Greek models. Black-figure painting on vases was the first art style to give rise to a significant number of identifiable artists.
Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision. Exekias is regarded by art historians as an artistic visionary whose masterful use of incision and psychologically sensitive compositions mark him as one of the greatest of all ...
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Criticism was the subject of a work by American conceptual artist Glenn Ligon, Notes on the Margins of the Black Book (1991–1993). Ligon juxtaposes Mapplethorpe's 91 images of black men in the 1988 publication Black Book with critical texts and personal reactions about the work to complicate the racial undertones of the imagery. [56]