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With the song "Sentimental Journey," the debut also introduced the practice of re-appropriating titles from well-known popular songs: Pere Ubu's "Sentimental Journey" has no obvious relation to the Doris Day hit song of the same name; "Drinking Wine Spodyody" has no apparent connection to the Sticks McGhee song (later revived by Jerry Lee Lewis).
[12] The Spin Alternative Record Guide called Song of the Bailing Man "more of a bouncy pop record, though Thomas is as gone as ever." [ 7 ] In its review of the Architecture of Language 1979-1982 boxset, The Quietus wrote that "Tony Maimone's basslines play a bigger part on this record, making this LP more overtly poppy sounding than its ...
The Modern Dance is the debut album by the American rock band Pere Ubu. It was released in February 1978 through the label Blank Records. [1] A 5.1 surround sound version was released as the DVD-Audio side of a DualDisc in 2005.
It should only contain pages that are Pere Ubu songs or lists of Pere Ubu songs, as well as subcategories containing those things (themselves set categories). Topics about Pere Ubu songs in general should be placed in relevant topic categories .
"30 Seconds Over Tokyo" is the debut single by American post-punk band Pere Ubu. Written by band members David Thomas, Peter Laughner, and Gene O'Connor during their stint with Pere Ubu's predecessor Rocket from the Tombs, it was released on Thomas' independent Hearthan Records in 1975. The song received very little airplay at the time but has ...
At the end of 1978, NME named Dub Housing the year's eighth best album, [13] while Sounds ranked it at number 13 on its year-end list. [14] Robert Christgau of The Village Voice wrote in 1979, "not only is it abrasive and visionary and eccentric and hard-rocking itself, but it sent me back to The Modern Dance, which I liked fine originally and like more now". [15]
The group takes its name from an amoral, despotic character in surrealist Alfred Jarry’s 1896 play Ubu Roi (meaning “King Ubu”). Which esotericism makes sense when your declared intention is ...
Critics were mixed as to the quality and value of One Man Drives While Another Man Screams.Robert Lloyd wrote in the LA Weekly:. The record is, as it would have to be, first-rate, being a document of a first-rate band in the pink of performance, and offers the usual blips and beeps, burbs and chirps, splatches and screeches and indecipherable mutterings, but more of them, and of demeanour more ...