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The snare drum seems to have descended from a medieval drum called the tabor, which was a drum with a single-gut snare strung across the bottom. It is a little bigger than a medium tom and was first used in war, often played with a fife (pipe); the player would play both the fife and drum (see also Pipe and tabor ).
Many variations of snare drum technique exist based on the context or music being performed. Snare drum can be played with sweeping and stirring motions if played with brushes. [6] It can also be played in a snappy and light manner, as in the Pipe band tradition of Scotland. [7] A much heavier approach is used in American Drum corps playing. [8]
The second is the "ping shot", where the bead is struck about one inch (2.5 cm) from the rim. This produces a high-pitched sound. The third is a "gock" (also spelled gawk), which is produced by hitting the bead of the drum stick at the center of the drum while the rim is percussed with the distal shaft of the stick (near the hand). This makes a ...
The term "boom bap" is an onomatopoeia that represents the sounds used for the bass (kick) drum and snare drum, respectively. The style is usually recognized by a main drum loop that uses a hard-hitting, acoustic bass drum sample on the downbeats , a snappy acoustic snare drum sample on the upbeats , and an "in your face" audio mix emphasizing ...
In a symphony orchestra's percussion section, a tenor drum is a low-pitched drum, similar in size to a field snare, but without snares and played with soft mallets or hard sticks. It is larger in diameter than depth, and tonally is midway between the bass drum and an unsnared snare drum. Berlioz scored for 2 tenor drums in the "Grande messe des ...
A Lali is an idiophonic Fijian drum of the wooden slit drum type similar to the Tahitian Pate of Tahiti and Samoa found throughout Polynesia. It was an important part of traditional Fijian culture, used as a form of communication to announce births, deaths and wars. [1] A smaller form of the Lali drum (Lali ni meke) is used in music. Lali drums ...
The damaru is known as a power drum, and when played, it is believed to generate spiritual energy. [ citation needed ] It is associated with the Hindu deity Shiva. It is believed that Sanskrit language was recognized by the drumbeats of the damaru (see Shiva Sutra for the sounds), and his performance of the cosmic dance of tandava .
The first is regarded as the Heiau Pahu, or religious drum (also known as the Pahu Pu’ule, or 'prayer drum'). The second has come to us in the form of the Hula Pahu, or musical accompaniment drum (sometimes referred to as the Pahu Mele, or song accompaniment drum). Both types of drum have a common ancient historical source.