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  2. Easel - Wikipedia

    en.wikipedia.org/wiki/Easel

    Easel painting is a term in art history for the type of midsize painting that would have been painted on an easel, as opposed to a fresco wall painting, a large altarpiece or other piece that would have been painted resting on a floor, a small cabinet painting, or a miniature created while sitting at a desk, though perhaps also on an angled ...

  3. Enlarger - Wikipedia

    en.wikipedia.org/wiki/Enlarger

    An easel is used to hold the paper perfectly flat. Some easels are designed with adjustable overlapping flat steel "blades" to crop the image on the paper to the desired size while keeping an unexposed white border about the image. Paper is sometimes placed directly on the table or enlarger base, and held down flat with metal strips.

  4. These Are the Best Art Easels for Kids, According to the Pros

    www.aol.com/best-art-easels-kids-according...

    Small Black Easel. Donna Paul, Montessori teacher and co-creator of That's So Montessori, advocates for easels from a family-owned brand."Créer & Co. has created the perfect art easels for kids ...

  5. Your ultimate guide to shopping the best post-Prime Day deals ...

    www.aol.com/lifestyle/your-ultimate-guide-to...

    This two-sided standing easel has magnetic dry-erase and chalkboard surfaces which include paper clips. It also includes an easy access, spacious tray for supplies with a foldable design for easy ...

  6. Display stand - Wikipedia

    en.wikipedia.org/wiki/Display_stand

    A display stand is a free-standing physical fitting in a shop on which products are arranged. It is an advertising and merchandising tool that has a direct impact on product sales. [1] Artwork or statuary may also have a display stand to hold items securely for viewing.

  7. White cube gallery - Wikipedia

    en.wikipedia.org/wiki/White_cube_gallery

    In Inside the White Cube: The Ideology of the Gallery Space, [3] he argued that in an easel painting the frame was the window through which one saw the world, and that required a wall for context. When the frame is gone and the wall is white, in O'Doherty's view, perspective and formal composition are absent.