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  2. Easel - Wikipedia

    en.wikipedia.org/wiki/Easel

    An easel is an upright support used for displaying and/or fixing something resting upon it, at an angle of about 20° to the vertical. [1] In particular, painters traditionally use an easel to support a painting while they work on it, normally standing up; easels are also sometimes used to display finished paintings.

  3. En plein air - Wikipedia

    en.wikipedia.org/wiki/En_plein_air

    It was during the mid-19th century that the 'box easel', typically known as the 'French box easel' or 'field easel', was invented. It is uncertain who developed it, but these highly portable easels with telescopic legs and built-in paint box and palette made it easier to go into the forest and up the hillsides. [14]

  4. Jerry's Artarama - Wikipedia

    en.wikipedia.org/wiki/Jerry's_Artarama

    Jerry's Artarama is an originator of discount art supplies and materials company [1] currently based in North Carolina, United States. [2] [3] The art materials it provides include fine artist paints, canvas and boards, brushes and palette knives, easels, frames as well as extensive custom canvas and frame departments.

  5. The Best Affordable Studio Easels for Creating Your Next Painting

    www.aol.com/lifestyle/best-affordable-studio...

    For premium support please call: 800-290-4726 more ways to reach us

  6. Support (art) - Wikipedia

    en.wikipedia.org/wiki/Support_(art)

    The oldest known use of fabrics as a painting support dates back to the Dynasty XII in Egypt (2000 BC).The continuous use can be traced in both Europe and Asia. In Medieval Europe fabrics was overtaken by the wood panels for church use; Renaissance, with its wider spread of paintings, saw wide use of canvas, occasionally glued to the wood, a practice that originated in the Ancient Egypt, but ...

  7. Self-Portrait at an Easel - Wikipedia

    en.wikipedia.org/wiki/Self-portrait_at_an_Easel

    Goya stands aside, and is indeed enveloped by, a grandly lit window like the one that serves as a metaphor for Christ's holiness in Leonardo da Vinci's Last Supper, and moreover, one through which the natural world is decidedly not visible. The art historian, John J. Ciofalo, writes: "with thick coats of radiant white paint, Goya has literally ...

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