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The Flapper is a 1920 American silent comedy film starring Olive Thomas. Directed by Alan Crosland , the film was the first in the United States to portray the " flapper " lifestyle, which became a cultural craze or fad in the 1920s.
Mary Louise Brooks (November 14, 1906 – August 8, 1985) was an American film actress during the 1920s and 1930s. She is regarded today as an icon of the flapper culture, in part due to the bob hairstyle that she helped popularize during the prime of her career.
An advertisement for the 1920 silent film comedy The Flapper, with Olive Thomas, before the look of the flapper had started to coalesce. By November 1910, the word was popular enough for A. E. James to begin a series of stories in the London Magazine featuring the misadventures of a pretty fifteen-year-old girl and titled "Her Majesty the ...
Throughout the 1920s, Bow played with gender conventions and sexuality in her public image. Along with her tomboy and flapper roles, she starred in boxing films and posed for promotional photographs as a boxer. By appropriating traditionally androgynous or masculine traits, Bow presented herself as a confident, modern woman. [93]
Immortalized in movies and magazine covers, young women's fashions of the 1920s set both a trend and social statement, a breaking-off from the rigid Victorian way of life. These young, rebellious, middle-class women, labeled 'flappers' by older generations, did away with the corset and donned slinky knee-length dresses, which exposed their legs ...
Prior to Flaming Youth, several films used the flapper cultural phenomenon as subject matter, such as The Flapper (1920) starring Olive Thomas, but the financial success of Flaming Youth made it the movie credited with launching a cycle of movies about flappers and helping Colleen Moore be seen as the originator of the screen flapper. [5] [6]
The Perfect Flapper is a 1924 American romantic comedy film directed by Earl Hudson and starring Colleen Moore. [1] This was Moore's second " flapper film" after Flaming Youth . It was released after Through the Dark (made before Flaming Youth but in theaters after its release) and Painted People .
The role established her as a symbol of modern 1920s-style femininity who rivaled Clara Bow, the original It girl, and Hollywood's foremost flapper. A stream of hits followed Our Dancing Daughters , including two more flapper-themed movies, in which Crawford embodied for her legion of fans (many of whom were women) an idealized vision of the ...