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"Love, Me" is a ballad in the key of C major, accompanied by Fender Rhodes electric piano and steel-string acoustic guitar. It tells of a couple who promise to love each other. The song's narrator tells of being with his grandfather, and reading a note that was written by his late grandmother back when both grandparents were younger.
NME ranked "Love Me" at number 5 on their year-end list; Emily Barker commended the lyrics, wordplay and themes, while noting the song mines "Fame"-era David Bowie, Talking Heads and INXS. [36] Andy Gill of The Independent said "Love Me" is the 1975's "gauche take on Talking Heads' preppy funk-pop". [17]
Perhaps the most known version of "Till You Say You'll Be Mine", though never a hit, was the first ever single recorded by Australian singer Olivia Newton-John.As the prize for winning a talent competition on Australian TV series Sing, Sing, Sing in 1965, Newton-John went to the United Kingdom and recorded the song as her debut single, being released by Decca Records on 13 May 1966.
"Just to Hear You Say That You Love Me" is a song written by Diane Warren and recorded by pop singer Chynna Phillips for her solo debut album, Naked and Sacred, released in 1995. The song was released as the fourth and final single from the album, and peaked at number 64 in Australia in February 1997.
"Just Like Heaven" was the third single released from the band's Kiss Me Kiss Me Kiss Me album. Melody Maker ' s review of the single was undecided; writer David Stubbs described it as "a colourful, fluttery, fussy thing" and "unimpeachable", but added, "[it] turns my face green, as if having consumed too many truffles."
"What You Say" is a song by American rapper YoungBoy Never Broke Again featuring Australian rapper the Kid Laroi and fellow American rapper Post Malone, appearing as the 24th track of the former's sixth studio album, Don't Try This at Home (2023). The song contains melodic verses from YoungBoy and Malone, whereas Laroi is heard in a rap tone ...
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"Say You Love Me" is a song written by English singer-songwriter Christine McVie for Fleetwood Mac's 1975 self-titled album. The song peaked at No. 11 on the Billboard Hot 100 for three weeks, and remains one of the band's most recognizable songs. Its success helped the group's eponymous 1975 album sell over eight million copies worldwide.