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"Old Black Joe" is a parlor song by Stephen Foster (1826–1864). It was published by Firth, Pond & Co. of New York in 1860. [1] Ken Emerson, author of the book Doo-Dah! (1998), indicates that Foster's fictional Joe was inspired by a servant in the home of Foster's father-in-law, Dr. McDowell of Pittsburgh.
The long tail filly and the big black hoss, Doo-dah! doo-dah! They fly the track and they both cut across, Oh, doo-dah-day! The blind hoss sticken in a big mud hole, Doo-dah! doo-dah! Can't touch bottom with a ten foot pole, Oh, doo-dah day! CHORUS Old muley cow come on to the track, Doo-dah! doo-dah!
All Killer, No Filler: The Anthology (also called The Jerry Lee Lewis Anthology: All Killer, No Filler!) is a 1993 box set collecting 42 songs by rock and roll and rockabilly pioneer Jerry Lee Lewis from the mid-1950s to the 1980s, including 27 charting hits. [4]
Guitar tablature is used for acoustic and electric guitar (typically with 6 strings). A modified guitar tablature with four strings is used for bass guitar. Guitar and bass tab is used in pop, rock, folk, and country music lead sheets, fake books, and songbooks, and it also appears in instructional books and websites.
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
Alma Gluck, "Old Black Joe" (Stephen Collins Foster), recorded 1915. Alma Gluck (May 11, 1884 – October 27, 1938) was a Romanian-born American lyric soprano. [1]
This is a list of songs by their Roud Folk Song Index number; the full catalogue can also be found on the Vaughan Williams Memorial Library website. Some publishers have added Roud numbers to books and liner notes, as has also been done with Child Ballad numbers and Laws numbers.
Verse–chorus form is a musical form going back to the 1840s, in such songs as "Oh! Susanna ", " The Daring Young Man on the Flying Trapeze ", and many others. [ 1 ] [ 2 ] It became passé in the early 1900s, with advent of the AABA (with verse) form in the Tin Pan Alley days.