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In the Four-Part Mass it consists of a four-note figure D-G-Bb-A (Kyrie) changing to D-A-C-Bb in the other movements. In the Sanctus the B flat strikingly changes to a B natural, producing an unexpected major chord at a key point in the music. A special feature of the mass (as also of the Five-Part Mass) is the final clause of the Agnus Dei.
This 1,900-page book contains most versions of the ordinary chants for the Mass (Kyrie, Gloria, Credo, Sanctus, and Agnus Dei), as well as the common chants for the Divine Office (daily prayers of the Church) and for every commonly celebrated feast of the Church year—including more than two hundred pages for Holy Week alone—as practiced ...
The Messe de Nostre Dame consists of six movements, namely the Kyrie, Gloria, Credo, Sanctus, Agnus Dei, and the dismissal Ite, missa est.The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII and the Ite is on Sanctus VIII.
The Agnus Dei returns to the imitative polyphony of the Kyrie (the opening of Agnus Dei I repeats that of the Kyrie). As was frequently done in the 16th century, Palestrina adds an extra voice in Agnus Dei II, making seven for this movement, in which is embedded a three-part canon that begins with the head-motive.
The editor is the uploader. Original note values have been retained, and ligatures are shown by brackets above the staff. The original mensuration signs are given above the time signature. The bar numbers correspond to those in the New Josquin Edition. See file:Missa L'homme arme super voces musicales - Agnus Dei II - Midi.midi for a midi ...
Agnus Dei (Lamb of God) is a choral composition in one movement by Samuel Barber, his own arrangement of his Adagio for Strings (1936). In 1967, he set the Latin words of the liturgical Agnus Dei , a part of the Mass , for mixed chorus with optional organ or piano accompaniment.
The Mass for Five Voices is a choral Mass setting by the English composer William Byrd (c. 1540–1623). It was probably written c. 1594 during the reign of Queen Elizabeth I, and is one of three settings of the Mass Ordinary which Byrd published in the early 1590s.
Music for the Requiem Mass is any music that accompanies the Requiem, or Mass for the Dead, in the Catholic Church.This church service has inspired hundreds of compositions, including settings by Victoria, Mozart, Berlioz, Verdi, Fauré, Dvořák, Duruflé and Britten.