Search results
Results From The WOW.Com Content Network
The Haunting is a 1963 supernatural horror film directed and produced by Robert Wise, adapted by Nelson Gidding from Shirley Jackson's 1959 novel The Haunting of Hill House. It stars Julie Harris , Claire Bloom , Richard Johnson , and Russ Tamblyn .
This is a non-diffusing subcategory of Category:1963 films. It includes 1963 films that can also be found in the parent category, or in diffusing subcategories of the parent. This category is for horror films released in the year 1963 .
The Haunting, a loose remake of the 1963 film, directed by Jan de Bont; The Haunting, a Spanish film by Elio Quiroga; A Haunting, a 2002–2007 and 2012–present American paranormal drama anthology TV series; The Haunting, a 2018–2020 American anthology series "The Haunting" (Back at the Barnyard), a 2008 TV episode
Our list of the best classic horror movies of all time include old films that you haven't seen before, plus new cult favorites that bring all the scares.
The Haunting: Robert Wise: Julie Harris, Claire Bloom, Russ Tamblyn: United Kingdom United States [11] Katarsis: Giuseppe Veggezzi: Christopher Lee: Italy [12] Kiss of the Vampire: Don Sharp: Clifford Evans, Noel Willman, Edward de Souza: United Kingdom United States [13] Matango: IshirÅ Honda: Yoshio Tsuchiya, Akira Kubo, Hiroshi Koizumi ...
The Haunting is a 1999 American supernatural comedy thriller film directed by Jan de Bont, and starring Liam Neeson, Catherine Zeta-Jones, Owen Wilson, and Lili Taylor, with Marian Seldes, Bruce Dern, Todd Field, and Virginia Madsen appearing in supporting roles.
In “The Deliverance,” Ebony’s youngest son, Andre (Anthony B. Jenkins), shows signs of demon possession first, followed by older siblings Nate (Caleb McLaughlin) and Shante (Demi Singleton).
[1] [2] King originally pitched the idea for Rose Red to Steven Spielberg as a feature film in 1996, [2] partly a loose remake of the 1963 film The Haunting. [1] [3] [4] The project went into turnaround and a complete script was written, but Spielberg demanded more thrills and action sequences while King wanted more horror.