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Although Van Halen vocalist Sammy Hagar was a financial supporter of President George W. Bush in his 2004 re-election campaign, [23] during the 2004 reunion tour, the band projected the "Right Now" music video, with a few extra modern scenes, on a large screen behind them while they performed the song. Some new modern scenes were, "Right now ...
The album is Van Halen's first live album with their original lead singer David Lee Roth and third bassist Wolfgang Van Halen. The album features songs from every Roth-fronted Van Halen album, including their 2012 release, A Different Kind of Truth. However, the album has been criticized for Roth's vocal performance. [4]
Live: Right Here, Right Now. is the first live album by American rock band Van Halen, released in 1993. It is the band's only live album featuring Sammy Hagar and the only live album by Van Halen until the release of Tokyo Dome Live in Concert in 2015.
"Poundcake" is a Van Halen song and the opening track on their 1991 album For Unlawful Carnal Knowledge. "Poundcake" was the first song to be released as a single from the album, reaching number one on the US Billboard Album Rock Tracks chart and number 74 on the UK Singles Chart.
Amsterdam (Van Halen song) ... Feels So Good (Van Halen song) Finish What Ya Started; ... Right Now (Van Halen song) Romeo Delight; Runaround (Van Halen song) ...
It should only contain pages that are Van Halen songs or lists of Van Halen songs, as well as subcategories containing those things (themselves set categories). Topics about Van Halen songs in general should be placed in relevant topic categories .
Vocalist Sammy Hagar has said that he was writing the lyrics to this song at the studio very late one night, and he heard Eddie Van Halen in an adjacent room working on a piano melody. Hagar said he suddenly realized that "we were writing the same song," so he walked into the room and began singing his words over Van Halen's music.
He also added on Alex Van Halen's drum solo, who he stated had plastered his drum set with neck-breaking speed and precision, with each hit of the snare and roll of the toms shaking the venue, with cheers from the audience when he performed a latin-rhythm interlude to prevent his solo from being drawn out.