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At the base of the tapestry is a small Crucifixion scene. [4] Many of Sutherland's initial studies and sketches are held by the Herbert Art Gallery and Museum in Coventry, [7] and the rest are in Basildon Park. Three preliminary cartoons, made in 1953, 1955 and 1957, are each 7 feet (2.1 m) high, approximately one-tenth the final size.
The Story of Abraham is a set of ten Brussels tapestries depicting stories from the life of the biblical prophet Abraham. They appear to have been designed by Bernaert van Orley initially, but completed by Pieter Coecke van Aelst around 1537, both artists who were leading designers for the Brussels workshops. Three sets survive.
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
The six original tapestries illustrate the story of the Grail quest as told in Sir Thomas Malory's 1485 book Le Morte d'Arthur.Like other Morris & Co. tapestries, the Holy Grail sequence was a group effort, with overall composition and figures designed by Edward Burne-Jones, heraldry by William Morris, and foreground florals and backgrounds by John Henry Dearle.
The Tapestry of Creation or Girona Tapestry is a Romanesque panel of needlework from the 11th century, housed in the Museum of the Cathedral of Girona, Catalonia, Spain. [1] Measuring 3.65 m × 4.70 m (12.0 ft × 15.4 ft) of wool and linen, contemporary scholars are still debating its patronage and intended function in the Church.
Those that were larger, in increasing order of size, included the modius (מודיא), [39] geriwa (geriwa), garab (גרב). Of unidentified size were the ardaba (אדרב), the kuna (כונא), and the qometz (קמץ); the latter two of these were said to equate to a handful. Some dry measures were used for liquids as well, e.g. se'eh.
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