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The theosophy of post-Renaissance Europe embraced imaginal cognition. From Jakob Böhme to Swedenborg, active imagination played a large role in theosophical works.In this tradition, the active imagination serves as an "organ of the soul, thanks to which humanity can establish a cognitive and visionary relationship with an intermediate world".
Guided imagery (also known as guided affective imagery, or katathym-imaginative psychotherapy) is a mind-body intervention by which a trained practitioner or teacher helps a participant or patient to evoke and generate mental images [1] that simulate or recreate the sensory perception [2] [3] of sights, [4] [5] sounds, [6] tastes, [7] smells, [8] movements, [9] and images associated with touch ...
A way to train imagination is by listening to and practicing storytelling , [3] [7] wherein imagination is expressed through stories and writings such as fairy tales, fantasies, and science fiction. [8] When children develop their imagination, they often exercise it through pretend play.
Meisner training is an interdependent series of training exercises that build on one another. The more complex work supports a command of dramatic text.Students work on a series of progressively complex exercises to develop an ability to first improvise, then to access an emotional life, and finally to bring the spontaneity of improvisation and the richness of personal response to textual work ...
Embodied imagination is a therapeutic and creative form of working with dreams and memories pioneered by Dutch Jungian psychoanalyst Robert Bosnak [1] [2] and based on principles first developed by Swiss psychiatrist Carl Jung, especially in his work on alchemy, [3] and on the work of American archetypal psychologist James Hillman, who focused on soul as a simultaneous multiplicity of ...
“Sexual fantasies are as normal as breathing for most adults,” explains Angie Rowntree, founder and director of Sssh.com, a sex-positive, ethical porn platform made from a woman’s point of ...
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Using the sociological imagination to analyze feature films is somewhat important to the average sociological standpoint, but more important is the fact that this process develops and strengthens the sociological imagination as a tool for understanding. Sociology and filmmaking go hand-in-hand because of the potential for viewers to react ...