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Some suncatchers. A suncatcher or light catcher is a small reflective, refractive, and/or iridescent ornament. It may include glass or nacre pieces and be hung indoors near a window to "catch" sunlight. [1] [additional citation(s) needed] A suncatcher is like the optical equivalent of a wind chime.
Faux stained glass panels (still used by Macy's) were put in the bridge's windows on either side (left and right) of each choir, giving the ceremony an almost church-like effect. Street lights were turned off in the area below so there was no glare for the thousands of spectators that gathered every year regardless of the weather.
Pressed Flower Window Suncatchers, Drying Flowers, Framed Sun Prints with Photo Paper, Flower Salad and Vinaigrette, Flower Drying Techniques DCRJ-608L (73) Cha Cha Cha: April 27, 2007 6 Chalk and Resist Wall Hangings, Paper Lanterns, Puff-Pastry Meat Rolls, Fancy Recycled Jar Coasters DCRJ-609L (74) Blue Ribbon: April 30, 2007 6
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
The term "stained glass" commonly precedes "window" and is thus linked to architecture both linguistically and conceptually. The autonomous work is more like a painting than a stained glass window, and is a non-traditional use of the medium. [1] One critic somewhat pejoratively calls non-architectural stained glass "uncommissioned panels."
The term stained glass is also applied to windows in enamelled glass in which the colors have been painted onto the glass and then fused to the glass in a kiln; very often this technique is only applied to parts of a window. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the ...
One example is the stained glass window of the doorway of the Hôtel van Eetvelde in Brussels (1895). In France, Art Nouveau stained glass was used by Alphonse Mucha to decorate the interior of the jewelry shop of Georges Fouquet. The windows were made by Léon Fargues. The decor is now found in the Carnavalet Museum.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]