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Kathakali is different from a similar-sounding Kathak, though both are Indian classical dance traditions of "story play" wherein the stories have been traditionally derived from the Hindu epics and the Puranas. Kathak is an ancient performance art that emerged in North India, with roots in traveling bards retelling mythical and spiritual ...
Kathakali dance is a classic Indian dance form that was traditionally performed by men. [3] Dancers use masks to play different roles. This art form began in 1661 when the ruler of Kottarakkara created Ramanattam, an early version of Kathakali that dramatized episodes from the Ramayana in Malayalam, making the art form accessible to a broader audience across castes.
Kathakali being performed in the cultural attire. Aattakatha is a literary genre in Malayalam language consisting of the libretto used for the Indian classical dance drama kathakali. [1] The word aatta-katha literally means "story for dancing and acting" [2] (atu "to sway" + kathā "story"). [3]
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1] [2] [3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra.
Both dance forms trace their roots to classical Sanskrit texts, but Kathakali has relatively more recent origins, more closely follows the Hastha Lakshanadeepika text and began flourishing in the 16th century. [76] [78] While each has a different musical and dance language, both deploy a host of similar traditional Indian musical instruments ...
Kerala Natanam (Kerala Dance) is a new style of dance that is now recognised as a distinct art form evolved from Kathakali, a form of Indian dance-drama.The Indian dancer Guru Gopinath a well-trained Kathakali artist and his wife Thankamani Gopinath who was the first student of Mohiniyattam in Kerala Kalamandalam developed a unique structure for teaching and performing classical dance forms of ...
The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing Rasa in classical Indian dance form is referred to as Rasa-abhinaya. The Nātyasāstra carefully delineates the bhavas used to create each ...
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...