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A fragment of a Gospel Book, now in the Durham Cathedral library and created in northern Britain in the 7th century, contains the earliest example of true knotted designs in the Celtic manner. Examples of plait work (a woven, unbroken [clarification needed] cord design) predate knotwork designs in several cultures around the world, [2] but the ...
Typically, Celtic art is ornamental, avoiding straight lines and only occasionally using symmetry, without the imitation of nature central to the classical tradition, often involving complex symbolism. Celtic art has used a variety of styles and has shown influences from other cultures in their knotwork, spirals, key patterns, lettering ...
An example from early medieval stonework is the Anglo-Saxon frithstool at Hexham Abbey. [3] The symbol has been interpreted as representing the Holy Trinity, especially since the Celtic revival of the 19th century. The original intention by the early medieval artists is unknown and experts [who?] warn against over-interpretation. [2]
The Celtic cross saw a resurgence in the mid-19th century, following new studies and reconstructions of the medieval high crosses. They subsequently became common objects in art, architecture, and merchandise during the Celtic Revival. They have since remained popular symbols of Ireland and "Celtic" identity. [6]
The language of these inscriptions is predominantly Primitive Irish, but a few examples are fragments of the Pictish language. Ogham itself is an Early Medieval form of alphabet or cipher, sometimes also known as the "Celtic Tree Alphabet". A number of different numbering schemes are used.
One of the paralleling examples was the branch seen by Bran. [12] Though not a genuine Celticist, to quote W. H. Evans-Wentz, "the silver branch of the sacred apple-tree bearing blossoms.. borne by the Fairy Woman is a passport to Tír n-aill (the Celtic Otherworld)". [13]
The Celtic leaf-crown (German: Blattkrone) is a motif of Celtic art from the early La Tène period. A leaf-crown is composed of two broad lobe-shaped elements. The crowns adorn the heads of anthropomorphic figures, almost always male and often bearded. The lobes have been identified with mistletoe leaves. The interpretation of this motif is ...
Late examples of the triple spiral symbols are found in Iron Age Europe, carved in rock in Castro Culture settlements in Galicia, Asturias, and Northern Portugal. The symbol took on new meaning to Irish Celtic Christians before the 5th century CE as a symbol of the Trinity. [citation needed]