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A gig bag (or gigbag) is a padded, soft-sided bag used for the storage and transport of musical instruments, [1] most commonly a guitar or bass guitar.A popular alternative to the usually heavier, more cumbersome hard shell cases, most gig bags include pockets for storage of sheet music, instrument cables, picks, straps, and other accessories, along with shoulder straps and grab handles for ...
The amplifier is built into the top-half of the hard-shell guitar case. The first one, the 1448 series, was a simple 3-watt amplifier with 2 tubes plus 1 tube rectifier, 5-inch speaker, and gain control. In 1963, the 1449 series (later renamed 1457) was released, with a 5-watt amplifier with 3 tubes (and 1 tube rectifier) amplifier, with 8-inch ...
While the guitar was known as the Telecaster Custom, the decal on the headstock read "Custom Telecaster". Later editions of the Telecaster Custom were popularized by Rolling Stones ' guitarist and composer Keith Richards , featuring a Fender Wide Range humbucker in the neck position and a single-coil pickup in the bridge.
Mini-humbuckers were also used in some models of the Nighthawk. A mini-humbucker pickup design is also used for the pickups in Rickenbacker 650 guitars and 4004 basses. A number of third party manufacturers make mini-humbucker replacement pickups. As of 2018, EMG, [4] Seymour Duncan, [5] DiMarzio, GFS, Dragonfire, and Jason Lollar all make mini ...
Eventually, the Telecaster-style guitar became known as the "Saturn", and the company's Stratocaster-style guitar became known as the "Mercury". All guitars have the "lawsuit" peg heads (two small marks on back of headstocks). Schecter was still using Stratocaster and Telecaster headstocks, which Fender had allowed when they were a parts company.
The Standard model of the James Burton Telecaster was introduced in 1996 and features a solid alder body finished in Two-Tone-Sunburst or Candy Apple Red with a 1-ply white pickguard. This model was inspired by Burton's third guitar, the 1953 Telecaster that he played on the seminal 1957 recording of "Susie Q" with Dale Hawkins. [5]