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The women are positioned in a small interior space which contains a window and can be entered or exited from two sides. The small devil in the left hand recess, who is intended to represent evil, as mammalian anatomy including hind legs, and holds a vaguely described object in his claw that appears to consist of sticks and a piece of string, [10] perhaps comprising a contemporary device for ...
Two copies of the painting were produced. The two paintings and a study depict a witch or sorceress using a wand to draw a fiery magic circle on the Earth to create a ritual space for her ceremonial magic. As was common in the period, Waterhouse repeated his subject on a smaller scale, probably at the request of a collector.
Rosaleen Miriam Norton (2 October 1917 – 5 December 1979), [1] who used the name of "Thorn", was an Australian artist and occultist, in the latter capacity adhering to a form of pantheistic / Neopagan Witchcraft largely devoted to the Greek god Pan.
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...
Witches' Sabbath (Spanish: El Aquelarre) [1] is a 1798 oil painting on canvas by the Spanish artist Francisco Goya. Today it is held in the Museo Lázaro Galdiano, Madrid. It depicts a Witches' Sabbath. It was purchased in 1798 along with five other paintings related to witchcraft by the Duke and Duchess of Osuna. [2]
Margaret Sullivan, also an art historian, asserts that Baldung's image was not necessarily intended to accurately depict official witch-hunting ideas. [1] Witches were almost unknown by the public at large before the year 1500. [5] Sullivan points out that in early 1500s Germany witch trials and executions were actually relatively uncommon. [1]
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As Mary Fisher was a Quaker, the Puritans did not welcome her, having condemned the Boston martyrs, a group of Quakers, to death. [1] In the painting, some have visibly fainted. Note how she is being shamefully stripped to determine whether or not she was a witch, but the witches' mark is on her, confirming her guilt. [1]