Search results
Results From The WOW.Com Content Network
Pages in category "19th-century songs" The following 94 pages are in this category, out of 94 total. This list may not reflect recent changes. A.
It has been described as reflecting "the tradition of stealthy tremolos that marked the entrance of villains in 19th century stage melodrama". [8] By 1917 the idea of villain's motifs in general, or variants of the specific motif, was established well enough for an author to warn against the "monotonous and wearisome" overuse of the motif ...
A partially complete list of songs by Cole Porter. [1] Songs written at Yale University: “Antoinette Birby” “Bingo Eli Yale” “Bull Dog” Cora (1911 college musical) And the Villain Still Pursued Her (1912 college musical) "We are the Chorus of the Show" "Strolling" "The Lovely Heroine" "I'm the Villain" "Twilight" "Llewellyn" "That ...
List of songs written by Jack Keller; List of songs written by Jeff Barry and Ellie Greenwich; List of songs written by Jeffrey Steele; List of songs written by Jerry Leiber and Mike Stoller; List of songs written by Jimmy Jam and Terry Lewis; List of songs written by John Rich; List of songs written by Kenny Gamble and Leon Huff; List of songs ...
"The Rose of Tralee" – a 19th-century County Kerry song credited to C. (or E.) Mordaunt Spencer with music by Charles William Glover [9] "The Rose of Clare" ("Lovely Rose of Clare") – written by Chris Ball [70] "The Rose of Mooncoin" – a County Kilkenny song, written in the 19th century by a local schoolteacher and poet named Watt Murphy [9]
Music hall songs were sung in the music halls by a variety of artistes. Most of them were comic in nature. There are a very large number of music hall songs, and most of them have been forgotten. In London, between 1900 and 1910, a single publishing company, Francis, Day and Hunter, published between forty and fifty songs a month.
The "Songs of the Century" list is part of an education project by the Recording Industry Association of America (RIAA), the National Endowment for the Arts, and Scholastic Inc. that aims to "promote a better understanding of America's musical and cultural heritage" in American schools.
The character was written into a number of penny dreadful stories during the latter half of the 19th century, initially as a villain and then in increasingly heroic roles. By the early 1900s he was being represented as a costumed, altruistic avenger of wrongs and protector of the innocent, effectively becoming a precursor to pulp fiction and ...