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The most distinctive model from this period was the Vito Model 35, with a key system based on the Leblanc "system" design. During the mid-to-late 1960s Leblanc started sourcing saxophone parts from Yamaha for the Vito-Kenosha line, producing saxophones with both American and Japanese parts.
Vito is a brand name for Leblanc USA, now part of Conn-Selmer USA. The Vito name was used for student through professional (Yanagisawa baritone saxophone) instruments. Leblanc USA was formed in 1946 by Vito Pascucci, and the French woodwind manufacturer, G. Leblanc Cie of France. To meet high demand, Leblanc USA started to manufacture clarinets ...
To achieve these goals, Boehm adapted a system of axle-mounted keys with a series of "open rings" (called brille, German for "eyeglasses", as they resembled the type of eyeglass frames common during the 19th century) that were fitted around other tone holes, such that the closure of one tone hole by a finger would also close a key placed over a ...
By the end of his career in the late 1960s, Hodges was playing a Vito LeBlanc Rationale alto (serial number 2551A), an instrument with unusual key-mechanisms (providing various alternative fingerings) and tone-hole placement, which gave superior intonation. Fewer than 2,000 were ever made.
The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.
All instruments are individually configurable in terms of equipment (bore, type of wood, mechanical equipment, and their finishing). [6] There are also replicas of 10 historical instruments in different moods, of which two models are offered in B ♭ and A. [ 7 ] Not in the program: the alto clarinet in E flat (looks similar to a basset horn ...