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What it is: Bit has 2 mouthpieces, each one single jointed and made of twisted wire. Action: The two joints amplify the nutcracker action. The wire makes the mouthpieces thin and sharp. The two mouthpieces cause extreme pressure on the bars. This bit is very severe, and should only be used by skilled riders with soft hands. Some people do not ...
Bit mouthpieces may be single jointed, double-jointed, "mullen" (a straight bar), or have an arched port in the center of varying height, with or without joints. Some have rollers, rings or small "keys" that the horse can move with its tongue. Mouthpieces may be smooth, wire-wrapped or otherwise roughened, or of twisted wire or metal.
Mouthpieces with a large, rounded chamber will produce a quite different sound from one with a small or square chamber. Parts of a woodwind mouthpiece. The distance between the tip of the mouthpiece and the tip of the reed is known as the tip opening. The tip opening has little effect on tone, which is more affected by the design of the ...
The mouthpiece is where this lip vibration takes place. On most instruments, the mouthpiece can be detached from the main instrument in order to facilitate putting the instrument in its case, to use different mouthpieces with the same instrument, or to 'play' the mouthpiece by itself to exercise the player's embouchure.
A curb bit works on several parts of a horse's head and mouth. The bit mouthpiece acts on the bars, tongue and roof of the mouth. The shanks add leverage and place pressure on the poll via the crownpiece of the bridle, to the chin groove via the curb chain, and, especially with a "loose jaw" shank, may act on the sides of the mouth and jaw.
The cane is folded end to end to form the two blades of the reed. The unprofiled end of the cane is shaped into a tube with the aid of a mandrel and bound with three (or four in some reed making techniques) strategically placed wires. A turban made out of thread is added on the third wire. It provides a hand hold for the reed that is not a ...
These reeds are roughly rectangular in shape and taper towards the thin tip, which is rounded to match the curve of the mouthpiece tip. All single reeds are shaped similarly but vary in size to fit each instrument's mouthpiece. Reeds designed for the same instrument look roughly identical, but vary in thickness ("hardness" or "strength").
Holton-Farkas is a product line of French horns and mouthpieces created through the joint venture of musical instrument manufacturer Frank Holton & Co. and legendary horn virtuoso Philip Farkas. The first model was released in 1958, and although no new models are being made (Farkas died in 1992), the series is still being manufactured today. [ 1 ]