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North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
Early hair drops were decorated with porcupine quillwork. [1] As more Europeans arrived on Plains Indian lands in the later 19th century, glass beadwork became more common. Hair drops are frequently adorned with tin cones, silver, and feathers. [1] The horse hair drop can be dyed for effect. One 1870 Cheyenne hair drop was adorned with peacock ...
Most hair jewelry, however, was made from a person of special interest's hair, whether that was a famous figure or - most often - a family member or friend. In contrast to the expensive pieces of hair jewelry crafted by artisans, many women of the 19th century began crafting their own hairwork in their homes.
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
Some traditional items frequently copied by non-Indians include Indian-style jewelry, pottery, baskets, carved stone fetishes, woven rugs, kachina figures, and clothing. The Indian Arts and Crafts Board , an agency established in 1934, has responsibility for overseeing the implementation of the Act.
Pablino Diaz wearing a hair pipe breastplate, 1899 A hair pipe is a term for an elongated bead , more than 1.5 inches long, which are popular with American Indians , particularly from the Great Plains and Northwest Plateau .