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Moreover, this Sermon, along with his Sermon "Conquering Self-Centeredness", offers a look into how he kept himself leveled as his star rose. [44] August 11 "Conquering Self-Centeredness" Montgomery, AL Combined with Dr. Kings Sermon from July 14, 1957, this Sermon provides a window into how Dr. King managed his personality as his fame grew. [45]
The genre reemerged in the era of Romanticism, when dreams were regarded as creative gateways to imaginative possibilities beyond rational calculation. [2] This genre typically follows a structure whereby a narrator recounts their experience of falling asleep, dreaming, and waking, with the story often an allegory. The dream, which forms the ...
I Love You Sweetheart; I Love You, Love You; I Never Got To Know Him Very Well; I Never Met A Man Like You Before; I Never Picked Cotton; I Promise You; I Ride An Old Paint; I Saw A Man; I Saw The Light; I See A Darkness; I See Men As Trees Walking; I Shall Be Free; I Shall Not Be Moved; I Still Miss Someone; I Talk To Jesus Every Day; I Threw ...
Oneiromancy (from Greek όνειροϛ ' dream ' and μαντεία (manteia) ' prophecy ') is a form of divination based upon dreams, and also uses dreams to predict the future. Oneirogen plants may also be used to produce or enhance dream-like states of consciousness.
Roger Zelazny's 1966 sci-fi novella The Dream Master, which applies computer-mediated dream telepathy in a psychotherapeutic setting, focuses on the protagonist's growing struggle to keep his balance as he enters the brain of a fellow psychotherapist who is blind, and subconsciously destructively hungers for the visual stimuli upon which dreams ...
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The Luke the Drifter songs were recorded at various sessions between January 1950 and July 1952 at Castle Studio in Nashville with Fred Rose producing. Williams' immense popularity and unflagging commercial success left Rose and MGM no choice but to indulge his wish to record the recitations, and the first session, held on January 10, 1950, produced four songs: "Too Many Parties and Too Many ...
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