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Moreover, Central African/Congo influences are also documented in both son cubano and changüí, and initially the development of the bongo drum was in parallel with these genres. From such conceptual African drum models, the bongo developed further in Cuba itself, and some historians state that the attaching of the two drums was a later ...
A pair of congas. Conga players perform on a tall, narrow, single-headed Cuban drum of African origin called the Tumbadora, or the Conga as it is internationally known. It is probably derived from the Congolese Makuta drums or Sikulu drums commonly played in Mbanza Ngungu, Congo.
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Main articles: Conga drum, bongo drum. Congas are tall, barrel-like, single-headed drums, usually played using the hands. [22] Bongos are similar to congas in shape, however, they are smaller and commonly played in pairs. [22] Bongos are tapered, single headed drums that are usually composed of a wooden base with an animal hide drumhead. [23]
In Ogu tradition, the Sato is a revered twin drum, comprising male and female single-faced drums made from the Iroko tree and an animal-skin membrane. The Sato drum is played at major festivals and ceremonies. Each of the two drums is commonly beaten by a four-member group of drummers, who dance energetically around the tall drums.
In 1972, Nze Dan Orji, and Raphael Amarabem formed the Peacocks International Band. The band’s first single, “Sambola Mama,” was the first truly popular Bongo music. It would go on to sell 150,000 copies in Ghana, and more than double that amount in Nigeria. The 1970s and ‘80s marked the strongest periods in the trajectory of Bongo ...