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Lamellar armour is a type of body armour made from small rectangular plates (scales or lamellae) of iron, steel, leather , bone, or bronze laced into horizontal rows. Lamellar armour was used over a wide range of time periods in Central Asia , Eastern Asia (especially in China , Japan , Korea , Mongolia , and Tibet ), Western Asia , and Eastern ...
The Scythians' horse warriors appear to have used scale or possibly lamellar armour, evident both from contemporary illustrations and burial finds in kurgans. The armour was made from small plates of iron or bronze. Due to the semi-rigid nature of the armour, the Scythian variety was made as breast- and back-plates, with separate shoulder pieces.
Banded mail" is a neologism, coined in the 19th century, describing a type of composite armour formed by combining the concepts behind the Roman lorica segmentata with splint armour. Its historicity is doubtful. It has become entrenched in the popular consciousness as a result of its inclusion in the armour list for Dungeons & Dragons. [1]
Depiction of lamellar armour on the right and brigandine armour on the left, Ming dynasty - 1368 to 1644 . Protective clothing and armour have been used by armies from earliest recorded history; the King James Version of the Bible (Jeremiah 46:4) translates the Hebrew סריון, siryon [1] or שריון, śiryon "coat of mail" [2] as "brigandine".
A museum display of a sixteenth-century knight with an armoured horse Chinese Song dynasty lamellar horse barding as illustrated on Wujing Zongyao. Barding (also spelled bard or barb) is body armour for war horses. The practice of armoring horses was first extensively developed in antiquity in the eastern kingdoms of Parthia and Pahlava.
Lamellar armour of leather (more appropriately considered untanned or superficially tanned rawhide), bronze and iron appeared by the mid-4th century BC. It consisted of individual armour pieces (lamellae, lamella singular) that were either riveted or laced together to form a suit of armour. [6]
The d20 system, 3rd edition version of the Arms and Equipment Guide was printed in 2003 and was designed by Eric Cagle, Jesse Decker, Jeff Quick, and James Wyatt.Cover art was by Eric Peterson, with interior art by Dennis Cramer, David Day, David Martin, Scott Roller, and Sam Wood.
When a united Japan entered the peaceful Edo period, samurai continued to use both plate and lamellar armour as a symbol of their status. Ōyamazumi Shrine is known as a treasure house of Japanese armour. It houses 40% of Japanese armour that has been designated as a National treasure and an Important Cultural Property.