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  2. Chaise Longue (Le Corbusier) - Wikipedia

    en.wikipedia.org/wiki/Chaise_Longue_(Le_Corbusier)

    Chaise longue à réglage continu, also Chaise longue modèle B 306 à réglage continu or Chaise longue B 306 (later Chaise Longue - LC4, in 1964), is a chaise longue designed by Le Corbusier, Pierre Jeanneret, and the French designer Charlotte Perriand, who worked in the atelier of the Swiss-French architect Le Corbusier and his partner Pierre Jeanneret.

  3. Le Corbusier's Furniture - Wikipedia

    en.wikipedia.org/wiki/Le_Corbusier's_Furniture

    Le Corbusier began experimenting with furniture design in 1928 after seeing a model apartment designed by the architect Charlotte Perriand and inviting her to join his studio. His cousin, Pierre Jeanneret , also collaborated on many of the designs.

  4. The 50 Most Iconic Chair Designs - AOL

    www.aol.com/50-most-iconic-chair-designs...

    It was designed in Buenos Aires in 1938 by the design collective Grupo Austral, a group of three architects who met while working for Le Corbusier. The chair caught the attention of curators at ...

  5. Villa La Roche - Wikipedia

    en.wikipedia.org/wiki/Villa_La_Roche

    In 1928, Le Corbusier and Perriand collaborated on furniture, the fruits of their collaboration were first done for Villa La Roche. The furniture items include, three chrome-plated tubular steel chairs designed for two of his projects, The Maison la Roche in Paris and a pavilion for Barbara and Henry Church.

  6. Le Corbusier - Wikipedia

    en.wikipedia.org/wiki/Le_Corbusier

    The line of furniture was expanded with additional designs for Le Corbusier's 1929 Salon d'Automne installation, 'Equipment for the Home'. Despite the intention of Le Corbusier that his furniture should be inexpensive and mass-produced, his pieces were originally costly to make and were not mass-produced until many years later, when he was famous.

  7. Eileen Gray - Wikipedia

    en.wikipedia.org/wiki/Eileen_Gray

    Much of the furniture was transformable, including expandable wardrobes and a dining banquette that both folded for storage and could be turned into an occasional table. [21] With Tempe à Pailla, Gray moved away from Le Corbusier's free plan ideal and created more separate spaces while maximizing the house's panoramic views. [3]