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American Progress, a painting of profound historical significance, has become a seminal example of American Western Art.Serving as an allegory for manifest destiny and American westward expansion, this 11.50 by 15.75 inches (29.2 cm × 40.0 cm) masterpiece was commissioned in 1872 by George Crofutt, a publisher of American Western travel guides and has since been frequently reproduced.
This is an accepted version of this page This is the latest accepted revision, reviewed on 8 March 2025. Cultural belief of 19th-century American expansionists For other uses, see Manifest Destiny (disambiguation). American Progress (1872) by John Gast is an allegorical representation of the modernization of the new west. Columbia, a personification of the United States, is shown leading ...
Coined phrase manifest destiny John Louis O'Sullivan (November 15, 1813 – March 24, 1895) was an American columnist, editor, and diplomat who coined the term " manifest destiny " in 1845 to promote the annexation of Texas and the Oregon Country to the United States. [ 1 ]
Adams’ treaty “was a crucial step in fulfilling America’s Manifest Destiny,” expanding U.S. territory for the first time from the Atlantic to the Pacific oceans, American History Central ...
The 11th president transformed America in a single term. Trump lacks the discipline to do the same.
A Currier and Ives print from 1868 uses the same title and theme for a very different print, showing a railroad crossing a new settlement as the train goes west. A photographic print and a stereograph by Alexander Gardner, [2] both of an 1867 end-of-track frontier construction train, were titled Westward The Course of Empire Takes Its Way.
"Go West, young man" is a phrase, the origin of which is often credited to the American author and newspaper editor Horace Greeley, concerning America's expansion westward as related to the concept of Manifest destiny. No one has yet proven who first used this phrase in print, although 21st century analysis supports Greeley as the phrase ...
It was produced as a theatrical spectacle that was allegorical in nature and spoke to prevalent social themes of the frontier period, such as manifest destiny. The Whitman Massacre was presented as a small but significant part of a production in four movements: "The White Man Arrives," "The Indian Wars," "The Building of Walla Walla," and "The ...