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The term "stop motion", relating to the animation technique, is often spelled with a hyphen as "stop-motion"—either standalone or as a compound modifier.Both orthographic variants, with and without the hyphen, are correct, but the hyphenated one has a second meaning that is unrelated to animation or cinema: "a device for automatically stopping a machine or engine when something has gone wrong".
Pixilation is a stop motion technique in which live actors are used as a frame-by-frame subject in an animated film, by repeatedly posing while one or more frame is taken and changing pose slightly before the next frame or frames. [citation needed] This technique is often used as a way to blend live actors with animated ones in a movie ...
Producing a stop-motion animation using clay is extremely laborious. Normal film runs at 24 frames per second (frame/s). With the standard practice of "doubles" or "twos" (double-framing, exposing two frames for each shot), 12 changes are usually made for one second of film movement. [2]
There are many different types of stop-motion animation, usually named after the materials used to create the animation. [85] Computer software is widely available to create this type of animation; traditional stop-motion animation is usually less expensive but more time-consuming to produce than current computer animation. [85] Stop motion
Cutout animation is a form of stop-motion animation using flat characters, props and backgrounds cut from materials such as paper, card, stiff fabric or photographs. The props would be cut out and used as puppets for stop motion.
Object animation is a form of stop motion animation that involves the animated movements of any non-drawn objects such as toys, blocks, dolls, and similar items which are not fully malleable, as plasticine (clay) or wax are, and not designed to look like recognizable human or animal characters.
A type of stop-motion animation which attempts to simulate motion blur in each frame involving motion. Ordinary stop-motion animation can result in a disorienting "staccato" effect because the animated object has a perfectly sharp appearance in every frame (since each frame was actually shot when the object was perfectly still); by contrast ...
Traditional silhouette animation as invented by Reiniger is subdivision of cutout animation (itself one of the many forms of stop motion).It utilizes figures cut out of paperboard, sometimes reinforced with thin metal sheets, and tied together at their joints with thread or wire (usually substituted by plastic or metal paper fasteners in contemporary productions) which are then moved frame-by ...