Ad
related to: lyrics to truckin' grateful dead album artwork value chart
Search results
Results From The WOW.Com Content Network
portion, and is missing the album version's organ part. The single reached number 64 on December 25, 1971, on the U.S. Pop Singles chart and stayed on the chart for eight weeks. "Truckin '" was the highest-charting pop single the group would have until the surprise top-ten performance of "Touch of Grey" sixteen years later.
The Grateful Dead's most recognizable song at the time, "Truckin'," is the only track used on both compilations. "St. Stephen" appears again, though this time in a live version (an excerpt of the Live/Dead track). Of the nine original Warner Bros. albums, the only one unrepresented is Anthem of the Sun (aside from its associated single). [4]
However, the version from this album was later used as a B-side on the re-release of the "Truckin' " single. The album was remastered and expanded for the 2001 box set The Golden Road . This version, with three bonus tracks (two contemporaneous live tracks and a hidden promotional track) and the extended "Bertha", was released separately, in 2003.
Truckin' Up to Buffalo is a double CD soundtrack to the DVD video of the same name by the Grateful Dead.It was recorded at Rich Stadium in Orchard Park on July 4, 1989. There are no differences in the track listings of the CD and DVD versions.
Robert Hunter wrote the lyrics in 1970 in London on the same afternoon he wrote those to "Brokedown Palace" and "To Lay Me Down" (reputedly drinking half a bottle of retsina in the process). [3] Jerry Garcia wrote the music to accompany Hunter's lyrics, [ 3 ] and the song debuted August 18, 1970 at Fillmore West in San Francisco.
Pacific Northwest '73–'74: The Complete Recordings is a live album by the rock band the Grateful Dead.It contains six complete concerts recorded in the Pacific Northwest in 1973 and 1974, on 19 CDs.
The album title is a pun, referring both to the idiom and to the fact that these are Grateful Dead tracks from Warner Bros.' "closet" (and skeletons being iconography associated with the band). The artwork for the front and back covers of the album was created by John Van Hamersveld. With no input from the band, it only vaguely represents the ...
The Grateful Dead were contractually obligated to record another studio album before they could release live material. [2] As with the previous two albums, they used an outside producer, per an agreement with Clive Davis , and in the hope of a more mainstream production with greater commercial potential (and perhaps a hit single).