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Solfeggietto (H 220, Wq. 117: 2) is a short solo keyboard piece in C minor composed in 1766 by Carl Philipp Emanuel Bach. [1] Although the Solfeggietto title is widely used today, according to Powers 2002, p. 232, the work is correctly called Solfeggio, but the author provides no evidence for this. Thomas Owens refers to the work as a toccata. [2]
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), [1] also formerly spelled Karl Philipp Emmanuel Bach, [2] and commonly abbreviated C. P. E. Bach, was a German Baroque and Classical period composer and musician, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach.
H 482. 11 Flute Concertos (lost, CPE Bach's authorship doubtful) H 483. Keyboard Concerto in B-flat major (lost, CPE Bach's authorship doubtful) H 484/1. Flute Concerto in D minor (1747) (CPE Bach's authorship doubtful, arrangement of H.425) H 485. Keyboard Concerto in E minor (CPE Bach's authorship doubtful, arrangement of H.452) H 486.
The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. [2] Recorded at Abbey Road Studios , Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. [ 3 ]
The vocal and instrumental forces used by Bach for the performance of such music are to a certain extent documented for all the periods of his life. Information about his secular orchestral and choral music is more limited: it mostly involves his period in Köthen, and his involvement with Leipzig's student orchestra, the Collegium Musicum ...
The Bach Solo Cello Suites are perfect ambassadors for classical music: their power and beauty unfailingly inspire great appreciation, joy and deep emotion in those who hear them. I perform the Suites in the subways of New York City to sow the seeds for future generations of classical music lovers.
Though Bach did borrow from himself, he more frequently borrowed from other composers. He often borrowed biblical material (usually turba choruses) from Telemann and J. S. Bach. For the arias and non-biblical choruses, he turned to the music of his contemporaries, most often Gottfried August Homilius , but also Georg Benda and Gottfried ...
BWV 1052 has similarities with Vivaldi's highly virtuosic Grosso mogul violin concerto, RV 208, which Bach had previously transcribed for solo organ in BWV 594. It is considered one of Bach's greatest concertos: in the words of Jones (2013) it "conveys a sense of huge elemental power". This mood is created in the opening sections of the two ...