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The following is a chronological list of classical music composers who lived in, worked in, were German citizens, or who grew up and made their careers in Germany This is a dynamic list and may never be able to satisfy particular standards for completeness.
Pages in category "20th-century German classical composers" The following 200 pages are in this category, out of approximately 382 total. This list may not reflect recent changes .
Pages in category "20th-century German composers" The following 200 pages are in this category, out of approximately 299 total. This list may not reflect recent changes .
This is a list of composers of 20th-century classical music, sortable by name, year of birth, year of death, nationality, notable works, and remarks. It includes only composers of significant fame and importance. The style of the composer's music is given where possible, bearing in mind that some defy simple classification.
The most popular living German composer is probably film score composer Hans Zimmer. German popular music of the 20th and 21st century includes the movements of Neue Deutsche Welle (Nena, Hubert Kah, Alphaville), disco (Boney M., Modern Talking, Dschinghis Khan, Milli Vanilli, Bad Boys Blue), metal/rock (Rammstein, Scorpions, Accept, Helloween ...
Bartholomäus Aich (17th Century) Gregor Aichinger (1565–1628) Eugen d'Albert (1864–1932) Heinrich Albert (1604–1651) Giovanni Henrico Albicastro (c. 1660 – 1730), born Johann Heinrich von Weissenburg; Christoph Albrecht (1930–2016) Leni Alexander (1924–2005) Johann Ernst Altenburg (1734–1801) Michael Altenburg (1584–1640)
In the early part of the 20th century, many composers wrote music which was an extension of 19th-century Romantic music, and traditional instrumental groupings such as the orchestra and string quartet remained the most typical. Traditional forms such as the symphony and concerto remained in use.
This is a list of classical music composers by era. [1] [2] [3] [4] With the exception of the overview, the Modernist era has been combined with the Postmodern ...