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The End of America details the ten steps a country takes when it slides toward fascism. The film takes a historical look at trends in once-functioning democracies from modern history, based on Wolf's 2007 book The End of America: Letter of Warning to a Young Patriot. The films asserts such trends are being repeated in America today, and puts ...
The End of the Civil War (2009, History Channel): a collection of four separately produced and aired films sold as a single title: Sherman's March (2007), April 1865 (2003), The Hunt for John Wilkes Booth (2007), and Stealing Lincoln's Body (2009). The collection is also known as The Last Days of the Civil War. Gettysburg (broadcast on History ...
Over the years, audiences have witnessed countless cities, especially Washington, D.C., and our national monuments, destroyed by a variety of aliens, monsters, and all manner of computer-generated ...
The images of the US turned into a war-torn country provides a sobering dystopian backdrop for an action movie that works on that level, without lingering in the mind as long as it could or should ...
A civil war has engulfed the United States between the authoritarian federal government, led by a third-term president, and secessionist movements. Despite the president claiming victory is imminent, it is widely expected that Washington, D.C. will soon be reached on the Fourth of July by the "Western Forces" (WF) led by Texas and California, while forces of the southeast "Florida Alliance ...
It’s the nowness of “Civil War” that will be much discussed. The movie takes place in an America that’s been amplified from its current state of near-insurrection, but only slightly, a ...
Overall, the novel received positive reviews from critics. [5] In The New York Times, book critic Michiko Kakutani compared it favorably to Cormac McCarthy's The Road and Philip Roth's novel The Plot Against America. She wrote that "badly melodramatic" dialogue could be forgiven by the use of details that makes the fictional future "seem ...
The informal leader is Lee Miller (Kirsten Dunst, as good as she’s ever been), a legendary war photographer. She and reporter Joel (Wagner Moura) work for Reuters.