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The rhetorical modes (also known as modes of discourse) are a broad traditional classification of the major kinds of formal and academic writing (including speech-writing) by their rhetorical (persuasive) purpose: narration, description, exposition, and argumentation.
In the 1983 edition of The Rhetoric of Fiction, which included a lengthy addendum to the original 1961 edition, Booth outlined various identities taken on by both authors and readers: The Flesh-and Blood Author, the Implied Author, the Teller of This Tale, the Career Author, and the "Public Myth"; and, the Flesh-and-Blood Re-Creator of Many ...
For instance, a story may open with the narrator making a plainly false or delusional claim or admitting to being severely mentally ill, or the story itself may have a frame in which the narrator appears as a character, with clues to the character's unreliability. A more dramatic use of the device delays the revelation until near the story's end.
A fiction-writing mode is a manner of writing imaginary stories with its own set of conventions regarding how, when, and where it should be used. Fiction is a form of narrative, one of the four rhetorical modes of discourse. Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions.
Seymour Chatman (August 30, 1928 – November 4, 2015) was an American film and literary critic and professor emeritus of rhetoric at the University of California, Berkeley. [ 1 ] He is one of the most significant figures of American narratology (theory of narrative), regarded as a prominent representative of its structuralist branch.
Comparative rhetoric is a practice and methodology that developed in the late twentieth century to broaden the study of rhetoric beyond the dominant rhetorical tradition that has been constructed and shaped in western Europe and the U.S. [134] [135] As a research practice, comparative rhetoric studies past and present cultures across the globe ...
The implied author is a character in the story, speaking in a monologue with his impressions; "narrative with point of view, reflector, selective omniscience, restriction of field" or "vision with". external focalization The implied author talks objectively, speaking only of the external behavior of the characters in the story; "vision from ...
Narrative criticism focuses on the stories a speaker or a writer tells to understand how they [clarification needed] help us make meaning out of our daily human experiences. Narrative theory is a means by which we can comprehend how we impose order on our experiences and actions by giving them a narrative form.