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Examples are the satiric mode, the ironic, the comic, the pastoral, and the didactic. [ 2 ] Frederick Crews uses the term to mean a type of essay and categorizes essays as falling into four types, corresponding to four basic functions of prose: narration , or telling; description , or picturing; exposition , or explaining; and argument , or ...
Summarization (also referred to as summary, narration, or narrative summary) is the fiction-writing mode whereby story events are condensed. The reader is told what happens, rather than having it shown. [6] In the fiction-writing axiom "Show, don't tell" the "tell" is often in the form of summarization. Summarization has important uses:
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Realistic fiction – stories which portray fictional characters, settings, and events that could exist in real life. Screenplay – a story that is told through dialogue and character action that is meant to be performed for a motion picture and exhibited on a screen. Short story – a brief story that usually focuses on one character and one ...
For example, referring to actions of the U.S. president as "actions of the White House". Antonomasia - A kind of metonymy in which an epithet or phrase takes the place of a proper name. Simile – A form of speech that draws an explicit comparison (in contrast to metaphors) of one thing and another using the words "as" or "like" to bring ...
A fiction-writing mode is a manner of writing imaginary stories with its own set of conventions regarding how, when, and where it should be used. Fiction is a form of narrative, one of the four rhetorical modes of discourse. Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions.
Henry Peacham, for example, in his The Garden of Eloquence (1577), enumerated 184 different figures of speech. Professor Robert DiYanni, in his book Literature: Reading Fiction, Poetry, Drama and the Essay [8] wrote: "Rhetoricians have catalogued more than 250 different figures of speech, expressions or ways of using words in a nonliteral sense."
Comparative rhetoric is a practice and methodology that developed in the late twentieth century to broaden the study of rhetoric beyond the dominant rhetorical tradition that has been constructed and shaped in western Europe and the U.S. [134] [135] As a research practice, comparative rhetoric studies past and present cultures across the globe ...