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Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
Her gown has a pattern of jewels at the neckline, and her wide sleeves are turned up to show the lining. Mary Wotton, Lady Guildenford wears a gable hood with a loose veil. The bodice of her gown (presumably laced at the side-back or back) is decorated with draped chains, and her smock sleeves are pulled through the open outer seam of her ...
During the 14th century, medieval hoses were made of wool and were made to fit tightly. Towards the end of the century traders and shopkeepers wore coloured hoses. Some people did away with wearing shoes and instead wore a hose that had leather soles sewn under the foot section, this part of the hose being the same colour as the rest of the ...
Three patterns for pants (2022) Pattern making is taught on a scale of 1:4, to conserve paper. Storage of patterns Fitting a nettle/canvas-fabric on a dress form. In sewing and fashion design, a pattern is the template from which the parts of a garment are traced onto woven or knitted fabrics before being cut out and assembled.
Throughout Europe and Asia Minor, during the entire Renaissance period and even for some time beyond, the sumptuous Italian gold-brocaded red velvets with the pomegranate motif, the zetani vel lutati al lucciolati recorded in contemporary documents, were an indication of high social status: luxury, power and sacredness.
Braies stems from Old French: braies, but is etymologically related to many other European words for pants, including the English word breeches.Braies via Old French originate from Latin: bracae, plural of braca (also spelled braccae), referring to the shapeless pants worn by the Ancient Gauls, which in turn is borrowed from Gaulish brāca, of Germanic origin.