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  2. Category:Paintings by Georgia O'Keeffe - Wikipedia

    en.wikipedia.org/wiki/Category:Paintings_by...

    Pages in category "Paintings by Georgia O'Keeffe" The following 22 pages are in this category, out of 22 total. ... Cow's Skull: Red, White, and Blue; E.

  3. Cow's Skull: Red, White, and Blue - Wikipedia

    en.wikipedia.org/wiki/Cow's_Skull:_Red,_White...

    Cow's Skull: Red, White, and Blue is a painting by American artist Georgia O'Keeffe. It depicts a cow skull centered in front of what appears to be a cloth background. In the center of the background is a vertical black stripe, surrounded by two vertical stripes of white laced with blue. Outside are two vertical red stripes.

  4. Georgia O'Keeffe - Wikipedia

    en.wikipedia.org/wiki/Georgia_O'Keeffe

    In 2014, O'Keeffe's 1932 painting Jimson Weed/White Flower No. 1 sold for $44,405,000—at the time, by far the largest price paid for any painting by a female artist. [10] Her works are in the collections of several museums, and following her death, the Georgia O'Keeffe Museum was established in Santa Fe.

  5. Palo Duro Canyon paintings of O'Keeffe - Wikipedia

    en.wikipedia.org/wiki/Palo_Duro_Canyon_paintings...

    McNay Art Museum in San Antonio held the "O'Keeffe and Texas" exhibit, curated by art historian Sharyn Udall in 1998 show. [6] In 2016, the Georgia O’Keeffe Museum exhibited some of the works from Palo Duro Canyon in the "Georgia O'Keeffe’s Far Wide Texas" exhibit, the theme of which was "Becoming a Modern Artist". [5]

  6. What to know about Wisconsin native Georgia O’Keeffe, the ...

    www.aol.com/know-wisconsin-native-georgia-o...

    A recent study by online art gallery Singulart found that Wisconsin native Georgia O'Keeffe (1887-1986) is the most displayed female artist across American museum art collections.

  7. Rust Red Hills - Wikipedia

    en.wikipedia.org/wiki/Rust_Red_Hills

    In 1930, Georgia O'Keeffe created 54 works, some of which were created in Maine and New York, though the majority were completed in New Mexico. [4] In April of that year, she continued her exploration of natural forms in Maine, expanding on her ongoing shell series first initiated in the 1920s (Shell and Old Shingle I, Shell and Old Shingle VII, 1926; Shell No. 2, 1928) and continuing ...