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Telugu is an agglutinative language with person, tense, case and number being inflected on the end of nouns and verbs. Its word order is usually subject-object-verb, with the direct object following the indirect object. The grammatical function of the words are marked by suffixes that indicate case and postpositions that follow the oblique stem.
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Andhra Vangmaya Parichayamu provides an introduction to Telugu literature, aimed at beginners, students, and others interested to acquaint themselves with the vast Telugu literature. The book provides a bird’s eye view of the entire literature, starting with Nannaya (11th century A.D.), up to the period of Sri Sri in the 20th century.
Telugu words generally end in vowels. In Old Telugu, this was absolute; in the modern language m, n, y, w may end a word. Sanskrit loans have introduced aspirated and murmured consonants as well. Telugu does not have contrastive stress, and speakers vary on where they perceive stress. Most place it on the penultimate or final syllable ...
The Telugu script is also widely used for writing Sanskrit texts and to some extent the Gondi language. It gained prominence during the Eastern Chalukyas also known as Vengi Chalukya era. It shares extensive similarities with the Kannada script , as both of them evolved from the Bhattiprolu and Kadamba scripts of the Brahmi family.
His works are also understandable to non-scholars and his poetry is fondly called as Mukku Timmana Muddu Paluku (sweet words of Mukku Thimmana) in Telugu. Parijatapaharanam is famous for many soft romantic poems still popular in Telugu. He did many poetic experiments in his works. One such experiment is called Chitra Kavita (means magical poems).
The Telugu–Kannada script (or Kannada–Telugu script) was a writing system used in Southern India. Despite some significant differences, the scripts used for the Telugu and Kannada languages remain quite similar and highly mutually intelligible. Satavahanas and Chalukyas influenced the similarities between Telugu and Kannada scripts. [3]