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Music varies widely across Laos, with the lam saravane style being most popular, while the city of Luang Prabang is known for a slow form called khaplam wai. An extremely popular form of Lao lam that developed in Thailand is called mor lam sing , and is faster and electrified.
The Lao classical orchestra can be divided into two categories, Sep Nyai and Sep Noi (or Mahori).The Sep Nyai is similar to Piphat, and is ceremonial and formal music and includes: two sets of gongs (khong vông), a xylophone (), an oboe (pei or salai), two large kettle drums and two sets of cymbals (sing, similar to Thai ching).
A khene player in Isan. The khaen (/ ˈ k ɛ n /; spelled "Khaen", "Kaen", "Kehn" [1] or "Ken" in English; [2] Lao: ແຄນ, pronounced; Thai: แคน, RTGS: khaen, pronounced; Northeastern Thai: แคน, pronounced [kʰɛ᷇ːn]; Khmer: គែន – Ken; Vietnamese: khèn or kheng) is a Lao mouth organ whose pipes, which are usually made of bamboo, are connected with a small, hollowed ...
In Laos, the traditional folk music is referred to as ລຳ, lam /lám/, which refers to both the verb and noun 'dance', and is in general use in the central and southern areas of the country. In northern Laos, the regional folk music styles are referred to as ຂັບ, khap /kʰáp/, and signifies 'to sing' or a
Music of Laos; L. Lao pop; Lam luang; Lam ploen; Lam saravane; Lao music; M. Mor lam; P. Pheng Xat Lao; Pinphat This page was last edited on 22 April 2024, at 10:08 ...
A khene player and Lao dancers at a morlam performance in France. Lam Lao (ລຳລາວ) or morlam (ໝໍລຳ [mɔ̌ː lám]) is the general descriptor for Lao folk music, which at its most basic level consists of the singer/story-teller and the khene (ແຄນ [kʰɛ́ːn]).
Southeast Asian music encapsulates numerous musical traditions and styles in many countries of Southeast Asia. This subregion consists of eleven countries, namely, Brunei , Cambodia , East Timor , Indonesia , Laos , Malaysia , Myanmar , Philippines , Singapore , Thailand and Vietnam , which accommodate hundreds of ethnic groups.
Reviewed, along with Laos, by George P. Springer in Ethnomusicology 9, #3 (September 1965), pp. 337-340, JSTOR 850254. Afghanistan — BM 30 L 2003 [1] Reissued by Rounder as Anthology of world music: The music of Afghanistan, CD 5121. [4] [5] Review by John Baily in Yearbook for Traditional Music 35 (2003), pp. 229-230, JSTOR 4149357.