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Musically, "Say Yes" is an uptempo gospel and pop song, which takes influence from dance music. It interpolates a popular Nigerian gospel tune originally titled "When Jesus Says Yes", believed to be originally sung by artist Agatha Moses. [1]
This is a list of songs written by the American gospel songwriter Dottie Rambo. Rambo wrote over 2500 songs throughout her lifetime, and many have been recorded by hundreds of artists. [1] Songs are listed in alphabetical order and followed in parentheses by other notable artists who have recorded or performed the song.
"Boot Scootin' Boogie" is a song first recorded by the band Asleep at the Wheel for their 1990 album, Keepin' Me Up Nights. American country music duo Brooks & Dunn recorded a cover version, which was included as the eighth track on their 1991 debut album, Brand New Man .
I Can't Escape from You; I Can't Get You Off of My Mind; I Can't Help It (If I'm Still in Love with You) I Could Never Be Ashamed of You; I Don't Care (If Tomorrow Never Comes) (I Heard That) Lonesome Whistle (co-written with Jimmie Davis)
"Jesus Says" is a song by the band Ash, released as the first single from their second album Nu-Clear Sounds on 21 September 1998, reaching number 15 in the UK singles chart. [1] It was released as a single CD, a 7" vinyl, and as a cassette. "Jesus Says" was Ash's highest selling single until "Shining Light" in 2001. The 7" version came with a ...
Christian Songs is a record chart compiled and published by Billboard that measures the top-performing contemporary Christian music songs in the United States. The data was compiled by Nielsen Broadcast Data Systems based on the weekly audience impressions of each song played on contemporary Christian radio stations until the end of November 2013. [1]
For 30 years, Rose Bowl co-host Leeza Gibbons, 67, had a near-constant presence on network television.. From 1984 to 2000, she was a correspondent and co-host of Entertainment Tonight, and the ...
The song was noted by Campbell for the mix of choir and organ, which according to him paved the way for gospel music to be more mainstream than before. [25] In 1999, the University of Michigan School of Music, Theatre & Dance held a seminar on the different implications and metaphors present in the song; it was headed by professors Martin Katz ...