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Musically, "Say Yes" is an uptempo gospel and pop song, which takes influence from dance music. It interpolates a popular Nigerian gospel tune originally titled "When Jesus Says Yes", believed to be originally sung by artist Agatha Moses. [1]
Wally Fowler released a version of the song as the B-side to his 1977 single "A New Star in Heaven". [9] Johnny Cash released a version of the song entitled "Gospel Boogie (A Wonderful Time Up There)" on his 1979 album A Believer Sings the Truth. [10] Alvin Stardust released a version of the song as a single in 1981 which reached #56 in the U.K ...
This is a list of songs written by the American gospel songwriter Dottie Rambo. Rambo wrote over 2500 songs throughout her lifetime, and many have been recorded by hundreds of artists. [1] Songs are listed in alphabetical order and followed in parentheses by other notable artists who have recorded or performed the song.
I Can't Escape from You; I Can't Get You Off of My Mind; I Can't Help It (If I'm Still in Love with You) I Could Never Be Ashamed of You; I Don't Care (If Tomorrow Never Comes) (I Heard That) Lonesome Whistle (co-written with Jimmie Davis)
Glory Train: Songs of Faith, Worship, and Praise is the seventeenth studio album released by American country music artist Randy Travis. It is his fifth album of gospel music and his fifth release for Word Records. The album comprises nineteen covers of traditional and contemporary gospel songs. No singles were released from it.
"Jesus Says" is a song by the band Ash, released as the first single from their second album Nu-Clear Sounds on 21 September 1998, reaching number 15 in the UK singles chart. [1] It was released as a single CD, a 7" vinyl, and as a cassette. "Jesus Says" was Ash's highest selling single until "Shining Light" in 2001. The 7" version came with a ...
New year, same good energy from Jamie Foxx!. The actor posted an Instagram Reel on the first day of 2025, in which he expressed his gratitude for the past and excitement for the future.
The song was noted by Campbell for the mix of choir and organ, which according to him paved the way for gospel music to be more mainstream than before. [25] In 1999, the University of Michigan School of Music, Theatre & Dance held a seminar on the different implications and metaphors present in the song; it was headed by professors Martin Katz ...