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Voice classification is a tool for singers, composers, venues, and listeners to categorize vocal properties and to associate roles with voices. While useful, voice classification systems have been used too rigidly, i.e. a house assigning a singer to a specific type and only casting him or her in roles they consider belonging to this category. [3]
More important than range in voice classification is tessitura, or where the voice is most comfortable singing, and vocal timbre, or the characteristic sound of the singing voice. [1] For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano.
Although in music instruction certain styles or repertoires of music are often identified with one of these descriptions this is basically added music [clarification needed] (for example, Gregorian chant is described as monophonic, Bach Chorales are described as homophonic and fugues as polyphonic), many composers use more than one type of ...
For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization. In classical music, a "pure" contralto is considered the rarest type of female voice. [3] In non-classical music, singers are primarily defined by their genre and their gender, not their vocal range. [4]
For example, the volume that a singer is able to maintain for dramatic effect will often influence which Fach (voice type) or tessitura they specialize in. For example, a lyric tenor may have the vocal range to sing Wagner or other dramatic roles, but to maintain the loudness required for dramatic intensity over the span of an opera performance ...
In a singing style. In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.)
The head voice of a man is, according to David A. Clippinger generally equivalent to the middle voice of a woman. [18] This may mean the head voice of a woman is a man's falsetto equivalent. Although, in contemporary teaching, some teachers no longer talk of the middle voice, choosing to call it the head voice as with men.
Teaching voice within non-classical music is an emerging field. Up to this point, voice teachers and voice research have been largely concentrated with classical methods of singing. However, new approaches and methods to teaching non-classical voice have recently emerged, such as the complete vocal technique (CVT) [ 10 ] by Cathrine Sadolin at ...