Search results
Results From The WOW.Com Content Network
The Harrowing of Hell was taught by theologians of the early church: St Melito of Sardis (died c. 180) in his Homily on the Passover and more explicitly in his Homily for Holy Saturday, Tertullian (A Treatise on the Soul, 55, though he himself disagrees with the idea), Hippolytus (Treatise on Christ and Anti-Christ), Origen (Against Celsus, 2: ...
Hell is a 2011 German-Swiss post-apocalyptic film directed by Tim Fehlbaum in his directorial debut. [ 1 ] [ 2 ] The German-language screenplay was written by Fehlbaum, Oliver Kahl and Thomas Woebke. The experienced director Roland Emmerich , known for films such as Independence Day and 2012 , acted as executive producer, with Gabriele Walther ...
The Harrowing of Hell, Petites Heures, 14th-century illuminated manuscript for John, Duke of Berry. In multiple places in The Silmarillion and The Lord of the Rings, Tolkien echoes and in Robert Steed's words "creatively adapts" the medieval theme of the Harrowing of Hell.
David Dastmalchian has a hell of a role in this discomforting and mind-bending retro flick, starring as a 1970s late-night TV host tired of iffy ratings who brings on a supposedly possessed girl ...
Articles related to the Harrowing of Hell and its depictions. This is a term referring to the period of time between the Crucifixion of Jesus and his resurrection . In triumphant descent, Jesus brought salvation to the souls held captive there since the beginning of the world.
But instead of being exhilarating, Schindler's List's most memorable sequences are harrowing and sobering: Amon Göth (Ralph Fiennes) picking off Jewish prisoners with a rifle or the remorseless ...
The Harrowing of Hell is an eighth-century Latin work in fifty-five lines found in the Anglo-Saxon Book of Cerne (folios 98v–99v). It is probably a Northumbrian work, written in prose and verse, where the former serves either as a set of stage directions for a dramatic portrayal or as a series of narrations for explaining the poetry.
In a movie full of pig's blood, telekinetic destruction, and mass murder, the scariest thing is still Carrie White's (Sissy Spacek) mother, Margaret (Piper Laurie, in an Oscar-nominated ...