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The Long Run is the sixth studio album by American rock group the Eagles.It was released in 1979 by Asylum Records in the United States and the United Kingdom. This was the first Eagles album to feature bassist Timothy B. Schmit, who had replaced founding member Randy Meisner, and the last full studio album to feature Don Felder before his termination from the band in 2001.
In long-run equilibrium of an industry in which perfect competition prevails, the LRMC = LRAC at the minimum LRAC and associated output. The shape of the long-run marginal and average costs curves is influenced by the type of returns to scale. The long-run is a planning and implementation stage.
"The Long Run" is a song written by Mark Mothersbaugh and Rodrick Heffley and recorded by Devo. The sound of the song is viewed as a tribute to the Stax / Memphis rhythm and blues sound. [ 2 ] It was the title track of their album The Long Run and was released as a single in November 2009.
The long-run marginal cost curve is shaped by returns to scale, a long-run concept, rather than the law of diminishing marginal returns, which is a short-run concept. The long-run marginal cost curve tends to be flatter than its short-run counterpart due to increased input flexibility.
The Long Run may refer to: . The Long Run, a 1979 album by the Eagles "The Long Run" (song), a 1979 song by the Eagles from the album The Long Run, a 2000 film starring Armin Mueller-Stahl and Nthati Moshesh
The long-run cost curve is a cost function that models this minimum cost over time, meaning inputs are not fixed. Using the long-run cost curve, firms can scale their means of production to reduce the costs of producing the good.
No matter how long it takes to run a marathon, finishing is an incredible accomplishment. “Make it a goal to stay focused on finishing the race and don’t worry too much about time,” Kendter ...
This is a selected list of the longest-running musical theatre productions in history divided into two sections. The first section lists all Broadway and West End productions of musicals that have exceeded 2,500 performances, in order of greatest number of performances in either market.