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  2. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]

  3. ASCII tab - Wikipedia

    en.wikipedia.org/wiki/ASCII_tab

    The string tunings at the left-hand side are often omitted. When notating entire songs, usually a note near the beginning of the tabulature tells the reader what tuning the instrument should be in. The number on each line refers to the fret as in guitar tab. Sometimes an 'x' means that the string should be played, but muted with either the left ...

  4. Tablature - Wikipedia

    en.wikipedia.org/wiki/Tablature

    As with other user generated content sites, MXTabs.net users are encouraged to create, edit, rate, and review their own tablature interpretations of their favourite songs. However, unlike other user-generated content sites, only songs that have received explicit permission from participating copyright owners will be made available online.

  5. List of songs recorded by Paul McCartney - Wikipedia

    en.wikipedia.org/wiki/List_of_songs_recorded_by...

    In addition to writing his own songs, McCartney has recorded cover versions of songs throughout his career, most notably on CHOBA B CCCP (1988), [29] Run Devil Run (1999), [30] and Kisses on the Bottom (2012). [31] He also produced Thrillington, an instrumental cover album of Ram in the jazz and lounge genres under the name Percy "Thrills ...

  6. From the Beginning (song) - Wikipedia

    en.wikipedia.org/wiki/From_the_Beginning_(song)

    The song was written in the key of A minor. [2] It is driven by an acoustic guitar line with layers of electric guitar (both rhythm and lead), electric bass guitar, and sung by Lake, with some backing on drums (played by Carl Palmer with congas, tympani mallets and without cymbals), and with a distinctive closing synthesizer solo from Keith Emerson, accompanied by overdubbed synthesizer sounds.

  7. All Blues - Wikipedia

    en.wikipedia.org/wiki/All_Blues

    "All Blues" is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6 8; the chord sequence is that of a basic blues and made up entirely of seventh chords, with a ♭ VI in the turnaround instead of just the usual V chord.